Jamie Lee Curtis Calls It “Masterful” – The Hollywood Reporter

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After 43 years, Jamie Lee Curtis is the happiest she’s ever been in Haddonfield. Curtis — who’s about to return to the massive display screen as her signature character, Laurie Strode, in David Gordon Green’s Halloween Kills — provides a lot of the credit score to Green, whom her godson, Jake Gyllenhaal, launched her to in June 2017. Green has not solely helped Curtis rediscover her love for the Halloween franchise, however he’s additionally impressed her to put in writing her personal screenplay for a horror movie entitled Mother Nature. Most of all, Curtis is impressed with Green’s foresight.




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“Once once more, David Gordon Green is prescient. The Me Too motion, these courageous girls who first spoke to Ronan Farrow, occurred at first of October of 2017, however Halloween (2018) was written method earlier than that,” Curtis tells The Hollywood Reporter. “So they had been prescient about [female trauma], and [in Halloween Kills], they had been prescient about the mob violence, the uprisings, the civil unrest, the folks taking issues into their very own arms, the ‘I’m mad as hell and I’m not gonna take it anymore’ idea, and the ‘system is damaged’ dialog. We made this movie a very long time in the past, and there’s even a touch of police misconduct within the recreations of the 1978 sequences.”



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Even although Halloween Kills has been on the shelf for a yr as a result of world pandemic, Curtis stays in awe of the ending.

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“I’m a pacifist. I don’t like horror movies. I don’t like something scary. I cowl my eyes and ears; I wanna don’t have anything to do with it. And but… the final 10 minutes of this film are a masterpiece,” Curtis says. “It brings so many homages from each [Halloween (1978)] to even Psycho, my mom’s [Janet Leigh] demise in Alfred Hitchcock’s Psycho. It’s brutal and shocking, and the shock of the top, I’ve seen it with audiences. They’re like, ‘What!? No! No!’ So it’s improbable.”



Curtis additionally says she’s making ready now for the ultimate film in Green’s trilogy, Halloween Ends.

“From a inventive standpoint, I can let you know nothing besides that it is going to be as surprising as these first two motion pictures,” Curtis shares. “It’s about the blurring, the 2 sides of violence and actually, what’s violence? I actually suppose it’s going to be an beautiful finish to this trilogy. In 10 years, in 20 years, you’ll look again on what was occurring on the earth, and you’ll take a look at these three motion pictures and go, ‘How did a slasher film director encapsulate what occurred within the United States and around the globe, from this yr to this yr? How did he make three motion pictures about it earlier than it occurred?’ And I feel you’re going to see that on this new, final movie.”

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In a latest dialog with THR, Curtis additionally explains why she doesn’t insist on having full inventive management over present-day Laurie.

So I’ve to think about that you simply had some doubts about returning to this franchise a couple of years in the past, however primarily based on the standard of David Gordon Green’s two movies, is that this the happiest you’ve ever been in Haddonfield?

(Laughs.) “Happy in Haddonfield,” that needs to be a sweatshirt; I’m positive it’s someplace. Yes. Yes, I had no anticipation that I might ever return to Haddonfield. I felt that I had mentioned what I wanted to say. I’m grateful for all of these alternatives, and the very last thing on the earth I believed would do was one other Halloween movie earlier than Jake Gyllenhaal referred to as me in June of 2017, saying that his good friend David, who he had simply labored with on Stronger, needed to speak to me about a Halloween movie. And sure, I feel David is an incredible filmmaker. He’s gifted, bizarre, ingenious, collaborative and enjoyable. His units are in contrast to any movie set. I liked working with David a lot that I went dwelling and wrote a film; I’ve by no means written a screenplay. I had such a great time within the 2018 movie that I really got here dwelling and thought, “Wow! If that’s making motion pictures, then I need to make one.” It was so enjoyable, and he’s simply executed an incredible job with these tales.

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David Gordon Green and Jamie Lee Curtis
Ryan Green/Universal Pictures

Well, thanks, Jake Gyllenhaal. Obviously, no person is aware of Laurie Strode higher than you, so do David and co. defer to you when one thing Laurie-related doesn’t really feel genuine?

Laurie has advanced; all of us have. I don’t understand how previous you might be. You’re younger; you’re youthful than me. But the place had been you whenever you had been 20? What had been you doing? What had been you pondering? How had been you behaving? What had been you carrying? What was your hair like? We’ve all advanced. I’ve change into this girl. The girl I’m right here with you in the present day, I’ve change into her by trial and error, and plenty of missteps and far grace from the universe. And I feel Laurie is similar. I might not presume to actually be capable of take possession and say, “Well, no, Laurie would by no means do this.” Because within the 2018 movie, it’s been 40 years. For 40 years, she was a pinball in a pinball machine, banging round, man to man, bottle to bottle. She didn’t exist. So it’s very onerous to say what she would or wouldn’t do. But I used to be thrilled with the route that they took her, and the gravitas and the time they had been gonna spend honoring how onerous her life has been.

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Jamie Lee Curtis and Judy Greer
Ryan Green/Universal Pictures

At first, it was good to see folks unite towards a higher risk, however then Halloween Kills explored the draw back of that within the type of mob mentality. Have the final 18 months modified your notion of that specific story level?

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Well, after all. And we made this movie two years in the past. Once once more, David Gordon Green is prescient. Halloween (2018), he wrote it in 2017. It was a movie about feminine trauma and the facility of that trauma over a human being’s life. The Me Too motion, these courageous girls who first spoke to Ronan Farrow, occurred at first of October of 2017, however the movie was written method earlier than that. So they had been prescient about that, they usually had been prescient about the mob violence, the uprisings, the civil unrest, the folks taking issues into their very own arms, the “I’m mad as hell and I’m not gonna take it anymore” idea, and the “system is damaged” dialog. We made this movie a very long time in the past, and there’s even a touch of police misconduct within the recreations of the 1978 sequences. And but, right here we’re. It isn’t gonna finish effectively as a result of that highly effective power turns folks. You can have the perfect of intentions, however civil unrest, even civil disobedience, can typically be for a higher good. Nothing adjustments until one thing adjustments. And but, there are guidelines in place to guard us. If not, it will be anarchy, in every single place, on a regular basis. And so it crosses the road as these items do, as we’ve seen it do everywhere in the world, not solely on this nation. So it’s a scary time as a result of the strains are blurred.

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The final 10 minutes of Halloween Kills are jaw-droppingly brutal.

Aren’t they beautiful, although?

Yes, they usually’re impressionistic in a method. Do you bear in mind your normal response after you first learn or watched these moments unfold?

It was the great thing about it. I’m a pacifist. I don’t like horror movies. I don’t like something scary. I cowl my eyes and ears; I wanna don’t have anything to do with it. And but, it’s masterful. The final 10 minutes of this film are a masterpiece. It brings so many homages from each the 1978 movie to even Psycho, my mom’s [Janet Leigh] demise in Alfred Hitchcock’s Psycho. There are components. The cinematography, the sound, the music, the performances, the route is beautiful and terrifying. And then the ending is so surprising that you simply’re left… (Curtis gasps.) It’s virtually such as you’ve reduce off a phenomenal piece of music, and I like the bravery of the filmmaking as a result of it resonates extra that method. If there was some type of swagger-y ending, I feel it will’ve been gratuitous, and what’s lovely about the way in which the movie ends is that it’s similar to the violence that it’s displaying. It’s brutal and shocking, and the shock of the top, I’ve seen it with audiences. They’re like, “What!? No! No!” So it’s improbable.

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We’ve acquired about 30 seconds left…

No! No! (Curtis pretends to cry.)

So how a lot are you aware about Halloween Ends at this level? Are you gearing up quickly?

Yeah, we’re simply beginning to. I’m a card-carrying mommy, so mommy is all about, “Where am I dwelling? Who’s going to assist me with my canine?” (Laughs.) I’m a card-carrying previous woman, and I wish to handle myself. I’m a little bit of a nurturer. So from a inventive standpoint, I can let you know nothing besides that it is going to be as surprising as these first two motion pictures. It explores a facet — type of what you talked about. It’s about the blurring, the 2 sides of violence and actually, what’s violence? I actually suppose it’s going to be an beautiful finish to this trilogy. In 10 years, in 20 years, you’ll look again on what was occurring on the earth, and you’ll take a look at these three motion pictures and go, “How did a slasher film director encapsulate what occurred within the United States and around the globe, from this yr to this yr? How did he make three motion pictures about it earlier than it occurred?” And I feel you’re going to see that on this new, final movie.

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Halloween Kills is accessible in theaters on Oct. 15.



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